Subjects on the edge aren’t quite as sharp as those in the center. Shooting wide open, there’s a slight softening at the corners. But, finally, Canon has managed to create a lens that’s going to appease both the pixel peepers and the photographers looking for character.Ĭanon’s best glass has an L in the name and a red ring around the front, and the 100mm Macro is no exception. Balancing technical perfection and lens character is difficult to do. But, modern lenses tend to feel more clinical, with little character. Ironically, these corrections can sometimes cause chromatic aberration or color fringing around high contrast areas. Modern lenses are designed with different elements to fight this corner softness. Because the glass curves, the corners don’t meet the focal plane and the edges end up not as sharp as the center. Spherical aberration is what makes the corners of an image soft. Spherical Aberration The varying effects you can get with the Spherical Abberation Dial Mix in close-up autofocus capabilities, a reasonably bright aperture, and so-beautiful-it-hurts lens flare and there are a ton of possibilities from just this one lens. What’s incredible about this lens is that it delivers both technical greatness and tons of character, all within the same lens. LensRentals lists the following specifications for the Canon RF 100mm Macro: It creates the ability to get both technically sharp and dreamy soft images without buying two separate lenses. In short, this is like having a mist filter built into the lens, allowing control over the sharpness. It gives the photographer control over the corrective elements using the SA (Spherical Aberration) ring. The Canon RF 100mm Macro is one of the most innovative lenses I’ve seen in the past few years. The lens was provided by LensRentals, while the camera body is on temporary loan from Canon. I tested the Canon RF 100mm Macro with the R3. Before you buy, consider trying it from LensRentals. Want one? You can pick one up at Adorama or Amazon. I’m giving the Canon RF 100mm Macro five out of five stars and the Editor’s Choice Award. But, if there’s room in your bag, this is an excellent macro and portrait lens for Canon shooters. It’s great for moving people but when up close requires more patience for moving subjects. That may give photographers who like to travel light some pause. If there’s anything to complain about, it’s that the mirrorless lens is actually a bit larger than the older DSLR variant. You’d think this is an obvious thing, but you’d be shocked as Sony, Sigma, Nikon and others work hard to eliminate all lens flare. This flare is also easy to control by adjusting the position of the lens so, once again, photographers can intentionally add flare or adjust to keep contrast intact. This lens adds the type of flare that software will try to imitate. That’s not the only way the 100mm macro impresses. Of course, that softness to the bokeh as well. With what feels almost like a built-in variable mist filter, this lens can add a little or a lot of softness. The Canon RF 100mm Macro not only expertly mixes technical greatness with character but allows photographers to choose when they want that super sharp image or a bit more character.
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